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Posts tagged: napowrimo

“Not to be confused with Null function.”
One
only seems
lonely.

It keeps
every prime
company.

It’s subsumed
in such
relations:

One times a prime
yields the prime’s
identity.

One times one’s
never greater
than one,

nor less,
yes, but still
not none.

Origins:

Based on this prompt: “As a result, the prompt for day one is to write a lonely poem. The narrator could be lonely. Someone or something in the poem could be lonely. Or the poem itself could try to evoke a feeling of loneliness for the reader. Or, as in challenges past, you could take the poem in a completely unique direction.”

Interlingua
Imagine the seven
seas drained, and
refilled by rivulets
of sound, which

deliver songs
by insubstantial waves,
not the liquid that sends
men to a gasping

farewell fancy
(chromatic fantasia)
of hallucination as
they drown.

How could we tell
if such migrant tunes,
in a half-known
tongue, sing false?


Would we hear
songs of truth, “letter
from our hearts”?
Or merely exiled heresy?

Yet music doesn’t lie,
language does. Pange
Lingua en basse [à 4],
the only truth, in its

wordlessness.

Origins:  I was following this prompt and the first five songs iTunes shuffle gave me were:

  1. “Heresy” [from The Downward Spiral by Nine Inch Nails]
  2. “Farewell Fancy (Chromatic Fantasia)”  [from Paul O’Dette’s recording of lute songs written by John Dowland]
  3. “Songs of Truth, Letter From Our Hearts” [from See Nothing But The Sky: Songs from Drapchi Prison by a group of Tibetan Nuns]
  4. “Pange Lingua en basse [à 4]” from Louis Couperin’s Oeuvres pour Orgue
  5. “Seven Seas” [from Ocean Rain by Echo & The Bunnymen]


Note: From what I can tell after some quick googling, Pange Lingua comes from an old Latin mass setting or chant, and means “Sing, my tongue…” or something similar. I don’t know Latin or Catholicism well. At any rate, this particular piece by Couperin is for solo organ, without words.